#Audient loopback software

#Audient loopback software

Software Control Panels for Your Audio Interface Any audio interface does this core task of direct input and output (I/O). It gets converted back into an audio signal before being sent to our headphones (or monitors). We send that data back out to our interface and it shows up at our headphone connection where we hear it as sound. That’s how we store, edit, and manipulate it in our recording software. The “audio” which moves from your interface to your computer is digital data. Once our audio gets converted from the analog realm into digital information – changed from the continuous voltage which travels down our XLR cables into USB data – it can show up in some helpful places.

The benefit with virtual routing is versatility. We don’t have the benefit of touching physical cable ends and being able to trace them back or forward to the specific location. Things get a bit trickier to conceptualize as we move into the “virtual” realm – that is to say when the connections and routing occur inside of the computer. In my setup, th mic plugs into a cable, which goes out around the back of the booth and then connects to the audio interface on the desk. It lets us easily visualize where the audio signal flows. The nice thing about dealing with physical cables is that you can actually see them. A small shift of the positioning of the cables may cause them to react to an electrical field. Those can crop up after adjusting equipment positions in your setup, or after you add new gear. It’s worth digging into those details only if you are having strange interference issues in your recordings. You may have routed your cables in a way that works flawlessly.

Decent cables are generally pretty well shielded, and not all power supplies cause interference. There is a simple test to whether you have an interference issue: If your audio doesn’t have weird hums or buzzes, then you are probably fine. Last week I talked about routing audio cables in the home voiceover studio, and how audio quality can sometimes be negatively impacted by nearby electrical cords and various power supplies.

How do we send audio back out of our computer to someone connected in a session? Since we often have to achieve this inside of our computer, rather than with physical cables, it’s helpful to understand how we route our audio in the “virtual” realm. Loopback routing in the home voiceover studio can be mysterious and confusing. This is key when you are in charge of recording on your local computer. Designed to deliver ultra- low noise and low distortion with a touch of classic analogue warmth, iD24’s two Audient Console Mic Preamps deliver a clean, accurate and true to source translation of your audio.Presonus Universal Control Software allows the Revelator io24 Audio Interface to play audio back to a client or director on the “far end” of the connection.

2 x Class-A Audient Console Mic PreampsĮvery iD interface features the Audient Console Mic Preamp, the same discrete circuit design found in our renowned recording console the ASP8024-HE.

Additionally, the id24 has balanced insert points on the inputs, ADAT expandability, one JFET instrument input, one headphone output and four mono outputs for two sets of monitors, or for sending signals to an external headphone amplifier. The ID24 features two Audient console preamps, class leading converters and intuitive layout. The Audient iD24 is a 10 in, 14 out high performance USB interface designed for produces and engineers. Audient iD24 - 10 in 14 out High Performance USB Interface